At 2:03 AM, when the noise dies down and only intent remains, Emiway Bantai dropped BIG STEPPER a hard‑hitting hip‑hop anthem that feels less like a release and more like a declaration. Aggressive, unapologetic and root
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A.R. Rahman on AI and Music: Why Human Creativity Can’t Be Replaced
When A.R. Rahman calls the idea of replacing human creativity with AI in music “foolishness,” it’s not reactionary it’s reflective. Coming from a composer who has consistently embraced technology while redefining Indian
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Kratex and ‘Taambdi Chaambdi’: How a Marathi Track Proved Music Has No Language Barrier
When “Taambdi Chaambdi” began travelling beyond Maharashtra, it wasn’t driven by translation or explanation. It moved because it felt right. Created by Kratex, the Marathi track has emerged as a powerful example of how
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Kailash Kher Stops Gwalior Concert: When an Artist Draws the Line on Crowd Behaviour
Live concerts thrive on energy, but they also rely on mutual respect. That balance was tested at Kailash Kher’s Gwalior concert, when the veteran singer halted his performance mid‑way and firmly addressed an unruly crow
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Perry Bamonte (1960–2025): Remembering The Cure’s Quiet Architect of Sound
The passing of Perry Bamonte at the age of 65 marks the loss of a musician whose influence was felt deeply, even when it wasn’t always foregrounded. As guitarist and keyboard player for The Cure, Bamonte was never posit
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